Earthy looks with a soft and faded tone.
Inspired by the rich and natural tones of the earth, the Terra LUT Pack is designed to apply a gentle warmth and soft, moody tone to your footage. The gentle highlight rolloff combined with creamy highlights, warm skin tones and deep shadows work perfectly on anything from portraits and landscapes to weddings and lifestyle.
Moody
Create a distinct tone to evoke feelings of warmth and sentiment.
Warm
Creates pleasing skin tones and a balanced warmth.
Soft
The film-like, soft tone of these looks gently compress highlights to create a subdued, elegant and elevated look that hides overexposed areas.
PACK CONTAINS
8 LUTs (33x33 .CUBE files)
Free updates for life
COMPATIBILITY
Works On
Desktop and mobile, Mac and PC
Editing Apps
Premiere Pro, DaVinci Resolve, FCP X, Filmora
Cameras
Any Camera
Preferred Color Profiles
Any standard profile including Rec.709, Neutral, Natural, Cine, Cinelike V2, Eterna, Standard, IPP2 Medium Medium.
If shooting in a Log profile, convert to Rec.709 first using a LUT or CST.
Terra LUT Pack
Earthy looks that give a soft and moody tone to your footage while refining the colors.
A LUT pack designed to simplify post-production work and give you natural colors on your Sony S-Log3 footage.
Experience the full benefit of shooting in S-Log3 without the challenge of grading it in post. These LUTs are designed to give you a natural starting point for your color grading process. You can use these conversion LUTs on any footage shot in S-Log3, whether it’s interior, exterior, day or night. You can expose the footage however you feel comfortable, but we recommend a balanced exposure with skin tones being priority.
This pack features all of the basic conversion LUTs plus 20 creative looks to help you further stylize your footage. These creative looks are coupled with the conversion LUT, giving you the convenience of a one-click look. You can further adjust the image by using our Pre-LUT corrections or performing them manually before the creative look.
In addition to the 7 conversion LUTs, we’ve also included 7 Pre-LUT files to help you easily achieve the look you’re going for. If you like to overexpose by 2 or 3 stops, there are included LUTs that are designed to be applied before the base LUT to bring the exposure back down before the conversion is applied. There are also Pre-LUTs for wide dynamic range, shadow detail, more contrast, warm and cool. This ensures ultimate flexibility in your own personal workflow.
Natural
Beautiful colors, soft highlight roll off and clean shadows.
Flexible
Convert and export, or build your color grade on top.
Creative
Creative looks coupled with log conversion gives you a one-click stylized grade.
PACK CONTAINS
34 LUTs (33x33 .CUBE files)
Free updates for life
COMPATIBILITY
Works On
Desktop and mobile, Mac and PC
Editing Apps
Premiere Pro, DaVinci Resolve, FCP X, Filmora
Cameras
Sony A7SIII, A7IV, FX2, FX3, FX6, FX30, A1, ZV1, ZV1 II, ZV-E1, FS5, FS7
Supported Color Profiles
Sony S-Log3, S-Gamut3.Cine (PP8)
Sony S-Log3 LUTs
Convert your Sony S-Log3 footage to a natural and easy to use Rec.709 starting point.
Highly stylized, low contrast, film-inspired looks based on Wes Anderson’s Asteroid City.
A recreation of the look featured in Wes Anderson’s “Asteroid City” trailer. The deep reds, warm highlights and teal undertones create a pastel-like, low contrast look that gives you both a nostalgic feeling and makes you feel like you’re blinded by the desert heat. This collection of LUTs is designed to emulate the same color process as the film and to create a very accurate color palette sitting in a warm teal-orange, Kodak, detailed and stylized vibe. Plus, it works on more than just desert footage. Pop these LUTs on footage from any camera for a vibrant, stylized look, then add some nice grain and you’re gonna be just fine.
Stylized
Iconic look, intense color palette, recognizable tones.
Teal and Orange
A fresh variant of the teal and orange look.
Versatile
Stress-tested to work with footage from any camera.
PACK CONTAINS
12 LUTs (33x33 .CUBE files)
Free updates for life
COMPATIBILITY
Works On
Desktop and mobile, Mac and PC
Editing Apps
Premiere Pro, DaVinci Resolve, FCP X, Filmora
Cameras
Any Camera
Preferred Color Profiles
Input: Rec.709 2.4
Output: Rec.709 2.4
Any standard profile including Rec.709, Neutral, Natural, Cine, Cinelike V2, Eterna, Standard, IPP2 Medium Medium. If shooting in a Log profile, convert to Rec.709 first using a LUT or CST.
Asteroid City Lut Pack
Wes Anderson inspired film looks from his film, Asteroid City, creating extremely stylized colors.
Developed in collaboration with filmmaker John Stambaugh, this PowerGrade converts your digital footage to realistic looking Super 8 in DaVinci Resolve. Made with 50+ real Super 8mm scans, this emulation is practically indistinguishable from the real thing.
There’s something magic about Super 8mm film, but it’s expensive and time-consuming. After compiling hundreds of Super 8mm clips with matching digital footage and meticulously obsessing over every detail like flicker, blur, halation and shake, we’ve created the perfect “Fake 8” look!
Instead of simply overlaying mattes on a timeline (which gives mediocre results), our emulation comes as 9 “PowerGrades” compatible with both the free and studio versions of Davinci Resolve. Each PowerGrade also includes 6 additional creative styles that you can enable, disable, or combine to further fine-tune the look. We’ve made it so easy that both brand new and seasoned Resolve users can get excellent results, all while saving time and money in the process! Plus, the Super 8 assets work in any software. We’ve also included more than 1hr worth of instruction for you to get the best possible results!
Realistic
We shot real Super 8mm film side-by-side with digital footage to create the most realistic and customizable emulation on the market.
Customizable
With 9 node-based PowerGrades including 6 creative styles, you can create and customize Fake 8 footage with more control and flexibility than simply using LUTs and overlays.
Universal
PowerGrades made for DaVinci Resolve, assets that work in any software, that simple.
Pack contains
9 “Fake 8” PowerGrades built for DaVinci Resolve (Version 17 and up)
9 film border mattes from 3 Super 8mm cameras scanned in 4K
2 Kodak 250D grain overlays scanned in 4K
30 film burns for intros, outros and overlays
25+ real sound effects from 3 different Super 8mm cameras
Fake 8 Film Lab Overview PDF
Overview tutorial video (37 minutes)
Advanced user guide video (35 minutes)
Quick-start guide (5 minutes)
Exclusive email support
Free updates for life
Compatibility
Works On
Mac, PC
Editing Apps
DaVinci Resolve 18 (PowerGrade + Assets)
Premiere Pro, FCP X (Assets)
Cameras
Any Camera
Preferred Color Profiles
Any color profile
Fake 8 Film Lab
Incredibly realistic Super 8mm emulation PowerGrade for DaVinci Resolve featuring real 8mm assets.
The perfect LUT pack for wedding videographers seeking to emulate the timelessness of film.
If you’ve been looking for a way to emulate the bright and airy look of true film, look no further. The cool greens, rich skin tones, beautiful pastels, and soft highlight roll off give these LUTs their distinct look. Simplify your workflow while applying a timeless look of luxury and nostalgia.
Film Emulation
The timeless look of true film applied in moments.
Skin Tones
Refined and pastel-like skin tones regardless of ethnicity.
Gentle
Works with footage from any camera and any part of the day.
PACK CONTAINS
5 LUTs (33x33 .CUBE files)
Getting started PDF
Free updates for life
COMPATIBILITY
Works On
Desktop and mobile, Mac and PC
Editing Apps
Premiere Pro, DaVinci Resolve, FCP X, Filmora
Cameras
Any Camera
Preferred Color Profiles
Any standard profile
For best results, use Rec.709, Neutral, Natural, Cine, Cinelike V2, Eterna, Standard, IPP2 Medium Medium, DJI HLG, DJI D-LogM.
If shooting in a Log profile, convert to Rec.709 first using a LUT or CST.
Wedding LUT Pack
Film-inspired looks resulting in lush greens, perfect skin tones and pastel-like colors.
The easiest way to transform your C-Log2 footage to Rec.709, giving you natural colors, accurate skin tones, plus a selection of professional creative looks to make your footage pop in just one step.
Specifically designed for footage shot in C-Log2/Canon Cinema Gamut, these LUTs are designed to give you a natural starting point for your color grading process. You can use these conversion LUTs on any footage shot in Canon C-Log2, whether it’s interior, exterior, day or night, on any Canon camera that supports C-Log2.
This pack features all of the basic conversion LUTs plus 25 creative looks to help you further stylize your footage. These creative looks are coupled with the conversion LUT, giving you the convenience of a one-click look. You can further adjust the image by using the Pre-LUT corrections or performing them manually before the creative look.
In addition to the 8 conversion LUT variations, we’ve also included 8 Pre-LUT files to help you easily achieve the look you’re going for. If you happen to overexpose or underexpose by 1 or 2 stops, there are included LUTs that are designed to be applied before the base LUT to bring the exposure back to normal before the conversion is applied. There are also Pre-LUTs for wide dynamic range, warm and cool. This ensures ultimate flexibility in your own personal workflow.
PACK CONTAINS
41 LUTs (33x33 .CUBE files)
Free updates for life
SUPPORTED COLOR PROFILES
Canon C-Log2/Canon Cinema Gamut
COMPATIBILITY
OS: Desktop and mobile, Mac and PC
Apps: Premiere Pro, DaVinci Resolve, FCP X, Filmora, etc.
Color Profiles: C-Log2/Canon Cinema Gamut
Canon C-Log2 LUTs
Convert your Canon C-Log2 footage to Rec.709 in just one easy click for a natural starting point.
LUT Co
A collection of LUTs and presets designed to elevate your work and save you time in post production.
LUT Co was created by colorist Evan Schneider. Based on looks created for real-world projects, each LUT has been meticulously designed and perfected over time on a wide variety of footage. Crafted with versatility in mind, these LUTs are designed to be high quality tools seamlessly integrated into your post-production workflow.
Plus, we stand by our products so much that you get free updates for life with each product your purchase.
Frames
Explore sample frames from filmmakers who color grade using our LUTs.
Hey there, I’m Evan.
I’m a freelance cinematographer and colorist and the founder of LUT Co. I’ve spent the past decade working in Los Angeles, CA for clients like Nike, Puma, Vogue and more. Before going freelance, I worked at a leading post house in Hollywood.
Over the years, I’ve created my own LUTs to save time and energy by not having to start from scratch for every project. The LUTs on this website are the culmination of years of color grading and cinematography experience. They have been rigorously tested and improved, and I’m so excited to be able to offer them to you now.