Frequently asked questions regarding LUT Co 3D LUTs


What programs are these LUTs compatible with?

Our LUTs are compatible with any program that supports .CUBE files. This includes Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, Adobe SpeedGrade, DaVinci Resolve, Final Cut Pro X, Avid Media Composer, Sony Vegas, Edius, Assimilate Scratch, Filmora, Capture One, VideoLUT (iOS), LumaFusion (iOS), and more. If you’re wondering if they will work with your program, email us and we’ll let you know.


Are these luts compatible with my camera?

Our LUTs were designed to work with any camera recording in a Natural / Neutral / Rec.709 profile. We made sure to test each LUT on as many different cameras, scenes, lighting, and colors as possible so that they work in a wide variety of uses.

If you are shooting in a Log or flat profile, you will need to apply a transformation LUT or add contrast and saturation before the creative LUT.



We recommend shooting in any Natural / Neutral / Rec.709 color profile. Our LUTs are compatible with any color profile you choose, but here are some that we know work particularly well with our LUTs!

  • Arri

    • R709

  • Blackmagic

    • Film

  • Canon

    • Natural

    • Wide DR

  • DJI

    • D-Cinelike

    • Normal

  • Fujifilm

    • Eterna

  • Panasonic

    • Natural

    • Cinelike D

  • RED

    • Redgamma3 Redcolor3

    • IPP2, Medium Contrast and Medium Roll Off

  • Sony

    • Cine2

Can I APPLY these LUTs TO LOG footage?

Yes! These LUTs are compatible with footage from any camera, regardless of what picture profile you shot in. If you would like to apply a LUT to LOG footage, you will need to convert the footage to Rec.709 before applying our creative LUT. You can do this by either applying a translation LUT from the manufacturer or by simply adding contrast (s-curve) and saturation.


What is the recommended image processing pipeline?

Since LUTs apply the same transformation regardless of the input, it is oftentimes necessary to apply a base grade before the LUT in the image pipeline. You may need to adjust white balance, tint, exposure, contrast, and saturation before adding the creative LUT in order to make it look natural. For example, this can be done in Premiere Pro Lumetri using the Basic tab. Then apply the LUT in the Creative tab. In DaVinci Resolve, create a serial node before the LUT to make any primary adjustments necessary.

You can also add secondary adjustments after the LUT if you would like to make further adjustments.


Upon order confirmation, the LUTs will be emailed to you via an instant download link that will remain active for 24 hours. You can also purchase on your phone and then download later.

Do you issue refunds?

Due to the nature of this digital product, all sales are final and we are unable to offer any refunds or returns on the purchase of any products purchased on this website. However, we want you to get the most out of our LUTs as possible. If you have any questions regarding workflow, color grading, camera settings, or anything else, feel free to reach out to us at